Judicial archive 20/06—06/11/2019. 2019. Works on Paper. Materials: china, ink, pencil and chalk, on 87 pieces of paper in various sizes mounted on black paperboard.
Exhibition
Man Standing, on a Column. 2018. Sculptural installation. Giluform casting compound. Dimensions: 215 cm height ~base included, 35 cm, 33cm.
Exhibition: "Prometheus 2.0"
Photograph: Stavros Papadopoulos / www.stavrospapadopoulos.gr
Kosmos 2016, detail. Sculptural installation consisting of an open number of 3D object files (.obj) modeled on Blender 2.77 in correspondence to an inventory. Work in progress. 3D printed satuettes, painted by hand, numbered and signed. Materials: Z-Ultrat, acrylic color, lead. The online inventory is here.
Exhibition “One, no one and eleven hundred”.
Photograph: Stavros Papadopoulos / www.stavrospapadopoulos.gr
Sunday. 2014-16. Giluform with black pigment, acrylic colors, iron. Sculptural installation. Dimensions: 178 cm height, 61 cm, 40 cm. Black room.
Exhibitions “One, no one and eleven hundred”, “Pieces of…”.
Minus 1 Hp. 2013. Painting on paper
Exhibited: 'No Country for Young Men: Contemporary Greek Art in Times of Crisis'
The Grimace. 2013. Painting
Birthday. 2012. Painting
The Dump: Hack of Klimt's 'The Beech Forest I'. 2011. Painting on paper
Family Dinner. 2011. Sculptural installation
Exhibited: "Remap 4", "Ploes XVII"
Episodes in Athens 1 to 5 and Episodes in Athens 6 to 12. 2008 and 2009. Painting
Here Come The Investors. 2009. Painting on paper
Exhibited: 'No Country for Young Men: Contemporary Greek Art in Times of Crisis', "Ploes XVII"
The Acropolis Without Athens. 2008. Painting
Exhibited: "Cabinets of Miracles"
Ferry: Turning a Landscape Into a Portrait. 2008. Painting
dB / Sexual Counter - Revolution. 2007. Sculpture
Exhibited: “Nees Morfes 50 years after”
The Third Hole (2005) Sculpture
Exhibited: "Ploes XVII", "Common View", “Unfair '07”
+Dakis Ioannou Collection
Stripes. 2003. Sculpture
Exhibited: "Ploes XVII", "Common View", “Unfair '07”
+Dakis Ioannou Collection
Wanker's Grin. 2003. Sculpture
Exhibited: "Ploes XVII", "Common View"
